Saturday, February 22, 2014
Pepe Romero, classical guitar
“[Pepe Romero] never just plays a piece, never just makes it sing. He creates a dialog between the musical parts, a dialog on one instrument.” Los Angeles Times
Luys Milan (1500-c.1561) Fantasía XVI
Alonso Mudarra (1508-1580) Fantasía X “on the Harp of Ludovico”
Fernando Sor (1778-1839) Fantasia in d minor
Mauro Giuliani ( 1781-1829) Variations on a “I bin a Kohlbauern Bub”, Op. 49
Francisco Tárrega (1852-1909) Gran jota
Celedonio Romero (1913-1996) Suite madrileña
Entrada, en el retiro, el chotis de la bombilla, en la Cibeles, en el Prado
Manuel de Falla (1876-1946) Homenaje – «Le tombeau de Debussy»
Joaquín Rodrigo (1901-1999) Sonata a la Española
Allegro assai, adagio, allegro moderato (tiempo de bolero)
Federico M. Torroba (1891-1982) Aires de la Mancha
Jerigonza, Ya llega el invierno, Coplilla, La Pastora, Seguidilla
Joaquin Turina (1882-1949) Fantasía Sevillana
(Program subject to change)
There are very few true living legends in the world of classical music, few who have sustained greatness and grown throughout their lives. Pepe Romero is such an artist. He has been honored by kings, heads of state, and major institutions-the encomiums continue to pour in. But to Romero, his most important contribution has been reaching the common man. He has communicated the richness and beauty of the classical guitar to millions of people throughout the world. He has, indeed, become an ambassador of classical music, and, correspondingly, of the classical guitar.
But this gift did not just appear out of nowhere. Pepe is the second son of one of the greatest guitarists that ever lived—Celedonio Romero. And he is brother to two more musical phenoms—Celin and Angel Romero. But perhaps we should start at the beginning…
Pepe was born in Malaga, Spain, in 1944. In those days, following the devastating Spanish Civil War (1936-39) and during the Second World War, Spain was in desperate economic straits. Basic survival was the primary challenge. Yet, in spite of this, Celedonio Romero and his remarkable wife, Angelita, instilled in all three of their children a love of music that transcended the profound misery surrounding them.
By age seven, Pepe set foot on the concert stage for the first time, at the Teatro Lope de Vega in Sevilla. And now, more than fifty years later, he continues to mesmerize audiences throughout the world. During that time, he has given literally thousands of concerts worldwide, many with the remarkable Romero Quartet, and many as a solo instrumentalist. He has worked with almost every major conductor alive, and has to his credit more than 60 recordings (among which are 20 concerto recordings with the Academy of St. Martin-in-the-Fields, with both Neville Marriner and Iona Brown).
Pepe Romero has premiered works by some of the finest composers of the twentieth and twenty-first centuries. Joaquin Rodrigo, Federico Moreno Torroba, Lorenzo Palomo, Padre Francisco de Madina, Paul Chihara, Enrique Diemecke, Ernesto Cordero, and, most poignantly, Celedonio Romero, have written compositions for Pepe. Always a champion of music by composers in earlier periods of music history, he has also delved into rare archives to re-explore lost pieces by Fernando Sor, Mauro Giuliani, Francesco Molino, Ferdinando Carulli, Johann Kaspar Mertz, Luigi Boccherini, and others.
In 1992, Pepe Romero performed on a groundbreaking laser disc of the Concierto de Aranjuez with Neville Marriner and the Academy of St-Martin-in-the-Fields. He played a prominent role in the major film documentary Shadows and Light: Joaquin Rodrigo at 90, which received numerous plaudits worldwide (including the Chicago International Film Festival, International Emmy Awards, and San Francisco International Film Festival).
Maestro Romero’s many accomplishments include: world premieres of Rodrigo ?s Concierto andaluz (with the entire Romero Guitar Quartet), Concierto madrigal (with Angel Romero), and Concierto para una fiesta; Federico Moreno Torroba’s Dia?logos entre guitarra y orquesta (Pepe was personally chosen by Moreno Torroba and Andre?s Segovia for the world recording premiere of this work dedicated to Segovia); and Lorenzo Palomo’s Concierto de Cienfuegos (with the Romero Quartet) and Nocturnos de Andaluci?a (both released on the Naxos label). He also revived the great orchestral work Metamorfosi de concert by Xavier Montsalvatge, with Gianandrea Noseda, and premiered as well as recorded the Concerto for Guitar and Orchestra with Trumpet Obbligato by Paul Chihara, with Neville Marriner and the London Symphony.
In 2005 the Romero Quartet recorded Concierto vasco para 4 guitarras y orquesta by Francisco de Madina (written for the Romeros) with the Basque National Orchestra on a Claves release (entitled Aita Madina). A prominent new recording entitled The Romeros: Generations, features premieres of works by Jorge Morel (such as El Maestro, dedicated to Celedonio) and by Pepe himself, Recuerdos del pasado. In the spring of 2005, a solo recital release called Corazo?n Espan?ol became available on the CPA Hollywood Records label. Shortly thereafter, on the same label, came Classic Romero, another invaluable recital recording. In the summer of 2008, Pepe Romero recorded a splendid solo-vocal work by Lorenzo Palomo, with internationally recognized Spanish soprano Maria Bayo. It includes the song cycles Mi jardi?n solitario (with texts by Celedonio Romero) and Madrigal and Five Sephardic Songs and was released on the NAXOS label in 2009 along with Palomo’s Concierto de Cienfuegos with the Romeros Quartet and Rafael Fru?hbeck de Burgos conducting the Sevilla Royal Symphony Orchestra. Celebrating their 50th anniversary and release in 2009, is a brand new recording by the Romeros for Sony’s RCA Red Seal Label entitled Los Romeros: Celebration. In November 2011, Deutsche Grammophon released Christmas with Los Romeros featuring the Romeros and Christmas favorites. A new Spanish solo collection including a premiere recording of Suite Madrileña No.1 by Celedonio Romero is soon to be released in spring 2012 by Deutsche Grammophon.
In the 2012/2013 season Pepe Romero will be honoring the 100th anniversary of the birth of his father, the legendary Celedonio Romero. And in 2013/2014 Pepe Romero will tour the world celebrating his own 70th year.
Pepe Romero has performed (by himself and with his family) at the White House, the Vatican for Pope John Paul II, for HRH Prince Charles, Prince of Wales, King Juan Carlos and Queen Sofia of Spain, and Queen Beatrice of Holland. He has been a special guest at music festivals in Salzburg, Israel, Schleswig-Holstein,Tanglewood, Menuhin Festival, Osaka, Granada, Istanbul, Ravinia, Garden State, Hollywood Bowl, Blossom, Wolf Trap, and Saratoga, among many others.
In the United States, he has appeared with leading symphony orchestras in Philadelphia, Cleveland, Chicago, Houston, Detroit, Pittsburgh, Boston, San Francisco, Dallas, New York, and Los Angeles, as well as with the Orpheus Chamber Ensemble and Boston Pops. European ensembles with which he has appeared include the Academy of St-Martins-in-the-Fields,Dresden Philharmonic, London Symphony, Monte Carlo Philharmonic, I Musici, Zurich Chamber Orchestra, Philharmonia Hungarica, Solisti di Zagreb, Hungarian State Orchestra, Spanish National Orchestra, Spanish National Radio Television Orchestra, Norddeutscher Rundfunk, Hamburg Philharmoniker, L’Orchestre de la Suisse- Romande, Lausanne Chamber Orchestra, New Moscow Chamber Orchestra, American Sinfonietta, and Bournemouth Symphony—among many others.
In addition, he has collaborated with such distinguished conductors as Sir Neville Marriner, Rafael Fruhbeck de Burgos, Jesus Lopez-Cobos, Eugene Ormandy, Josep Pons, Arthur Fiedler, Lawrence Foster, Enrique Jorda, Andre Kostelanetz, Leonard Slatkin, Phillipe Entremont, Odon Alonso, Morton Gould, Michael Palmer, Guillermo Figueroa, Michael Zearrot, Miguel Angel Gomez Martinez, Pedro Halffter, and Christoph Eschenbach.
Pepe Romero has always felt, along with his father and brothers, that the sharing of one’s art is a personal responsibility. Mr. Romero has served as Professor of Guitar at the University of Southern California, University of California at San Diego, Southern Methodist University, and the University of San Diego. He has conducted master classes at the Salzburg Summer Academy, Cordoba Guitar Festival, and the Schleswig-Holstein Festival. In 2004 he was appointed Distinguished Artist in Residence at the University of Southern California’s Thornton School of Music. Soon to be available is a newly revised guitar method published by Tuscany Publications.
Pepe Romero holds honorary doctorates in music from the San Francisco Conservatory of Music and the University of Victoria, British Columbia. In June 1996, he received the “Premio Andaluci?a de la Mu?sica,” the highest recognition given by his native land for his contribution to the arts. In addition, His Majesty, King Juan Carlos I of Spain, has knighted Pepe and his brothers into the Order of “Isabel la Catolica.”
A biographical documentary about the Romeros appeared on PBS in 2001 entitled “Los Romeros, the Royal Family of the Guitar.” Following this production, German television released another brilliant documentary about the Romeros entitled “Los Romeros, the Dynasty of the Guitar.” In 2007, the Romeros received the President’s Merit Award from the Recording Academy, producers of the Grammy Awards, for their significant contributions to the music world and professional career achievements.
What will come tomorrow? Who knows? Pepe is only just beginning to flex his artistic muscles…
For more information on Pepe Romero, click here:
Venue address, seating chart, ticket information, Click HERE.
Saturday, February 22, 2014
Sadie B. Feldman Family Lecture: Kaddish for Lincoln
Sadie B. Feldman Family Lecture: Kaddish for Lincoln
Sunday February 23rd at 1:00pm
Speaker: Lincoln scholar Harold Holzer of the Metropolitan Museum of Art
Entrance included with Museum Admission
By tradition, Abraham Lincoln was the first American gentile for whom Jews said Kaddish–the Hebrew prayer for the dead. The story may approach the realm of legend, but reverence for Lincoln among many Jews of his time was real, and the mass national mourning after his assassination reached not only the church but the synagogue. In this discussion of Jewish attitudes toward Lincoln–and Lincoln’s evolving attitude toward Jews, Lincoln scholar Harold Holzer explores the 16th president’s legal decisions and personal attitudes on Jews and Jewish issues during the Civil War, and assesses whether the Great Emancipator deserved the name many contemporaries gave to him in the 19th Century: American Moses.
Harold Holzer is Chairman of the Abraham Lincoln Bicentennial Foundation, official successor organization of the U. S. Lincoln Bicentennial Commission, which he co-chaired for nine years, appointed by President Bill Clinton. Holzer is the author, co-author, or editor of 46 books on Lincoln and the Civil War era, most recently Lincoln: How Abraham Lincoln Ended Slavery in America (2012), the official young-adult companion book for the Steven Spielberg film, for which he served as script consultant. In his full-time professional career, Holzer serves as Senior Vice President for Public Affairs at The Metropolitan Museum of Art, where he has spent the last 21 years.
This program takes place at the Jewish Museum of Maryland, 15 Lloyd Street, Baltimore, MD 21202. Contact Trillion Attwood 410-732-6400 firstname.lastname@example.org for more information or visit www.jewishmuseummd.org.